tag:blogger.com,1999:blog-4512500093450401757.post8830640461346548439..comments2015-10-01T01:16:50.559-07:00Comments on Phrygian 2nd: The Doom of the Flattened Supertonicsarhaukhttp://www.blogger.com/profile/15499868336086965107noreply@blogger.comBlogger4125tag:blogger.com,1999:blog-4512500093450401757.post-15094993403865315132015-10-01T01:16:50.559-07:002015-10-01T01:16:50.559-07:00How interesting! How is the PhD going? Do update a...How interesting! How is the PhD going? Do update and share more of your findings with us!<br />EDhttps://www.blogger.com/profile/08881541046796249042noreply@blogger.comtag:blogger.com,1999:blog-4512500093450401757.post-64197820835340403532012-09-24T02:00:24.714-07:002012-09-24T02:00:24.714-07:00Hey Sarha - what a fantastic subject for a dissert...Hey Sarha - what a fantastic subject for a dissertation. Always loved a bit of phrygian, me.<br /><br />Hope you're well and playing loads.<br /><br />Danny (Manners)Anonymoushttps://www.blogger.com/profile/10966240253035978688noreply@blogger.comtag:blogger.com,1999:blog-4512500093450401757.post-9231152370325469372011-10-10T08:34:27.785-07:002011-10-10T08:34:27.785-07:00Yeah it does, usually producing a II bII I bass li...Yeah it does, usually producing a II bII I bass line. Do you know of any instances of this where it has a specific emotive or structural use? Often, I think, in jazz it's the bass player enjoying the chromatic approach notes in a fairly unspecific way. Are there bass players out there who have a particular regard for this bII use?sarhaukhttps://www.blogger.com/profile/15499868336086965107noreply@blogger.comtag:blogger.com,1999:blog-4512500093450401757.post-20344851391938710092011-10-10T06:46:07.992-07:002011-10-10T06:46:07.992-07:00hmm interesting ... doesn't jazz harmony use t...hmm interesting ... doesn't jazz harmony use tritone substitution for the dominant 7th, which leads to flattened 9th (supertonic) in the chord?WestNabhttps://www.blogger.com/profile/01570344566102334706noreply@blogger.com