Timecode
included if different from in main text.
Chapter 1: Komal Re: the ♭2 in ragas of North India and Pakistan
|
CD 1
Track
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Figure
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Artist
and track
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Page
no.
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1
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1.1
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64
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2
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1.5
|
|
73
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3
|
1.7
|
|
74
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4
|
1.9
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Shrivastav
singing characteristic phrases of raga Bhairav.
|
74
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5
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1.10 1.11
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|
75
75
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6
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1.13
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|
76
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7
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1.16
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78
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8
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1.18
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|
79
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9
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1.19
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|
79
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10
|
1.24
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Shrivastav
singing raga Shri.
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82
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11
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1.27
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|
85
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12
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1.29 1.30
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|
86
87
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Chapter 2: ‘Touched by the maq[k]am’:
the flat 2 in
Mediterranean genres
|
13
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2.2
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Baylav
playing makam Uşşak.
|
101
|
14
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2.3
|
|
102
|
15
|
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Baylav
on microtones in makam Uşşak.
|
102
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16
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2.7
|
|
104
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17
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2.8
|
|
105
|
18
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2.9
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Baylav playing Hicaz makam.
|
106
|
19
|
|
|
107
|
20
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2.12
|
|
108
|
21
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2.13
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|
109
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22
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2.14
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|
110
|
23
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2.17
|
|
112
|
24
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2.18
|
Paco
Fernandez, Mani. Available to buy here. 0.23–1.16; 1.46–1.55.
|
113
|
25
|
2.19
|
Le
Trio Joubran,
Masâr. Available to buy here.
|
114
|
26
|
|
|
115
|
27
|
2.21
|
Baylav
improvising on Uşşak
makam.
|
116
|
28
|
2.23
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Alhenawi
playing Sikah on the ney.
|
116
|
29
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2.25
|
|
117
|
30
|
2.26
|
|
118
|
31
|
2.28
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El Camarón de
la Isla and Paco de
Lucía
Bulerias. 0.23–0.39.
|
120
|
32
|
2.29
|
Le
Trio Joubran, Majâz. Available to buy here.
|
123
|
33
|
2.30
|
|
124
|
34
|
|
|
125
|
35
|
|
|
129
|
36
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2.35
|
|
130
|
37
|
2.37
|
|
132
|
38
|
|
‘Audrey Kaufman, Yigdal. 1.47–2.14.
|
137
|
39
|
|
Baylav
singing ‘Dandini Dandini
Dastana’.
|
142
|
40
|
2.40
|
|
143
|
41
|
2.41
|
|
143
|
42
|
|
|
144
|
43
|
2.43
|
|
149
|
44
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2.44
|
|
150
|
45
|
2.45
|
|
152
|
46
|
2.46
|
|
157
|
CD2
|
|
Chapter
3: A history of the Other in the West
|
|
1
|
|
|
169
|
2
|
3.5
|
|
176
|
3
|
3.16,
3.17
|
|
185
186
|
4
|
3.19
|
|
190
|
5
|
3.24
|
|
195
|
6
|
3.25
|
|
196
|
7
|
3.31
|
|
201
|
8
|
3.36
|
|
203
|
9
|
3.37
|
|
204
|
10
|
3.38
|
Philip Glass, ‘Evening
song’, Satyagraha Act III, part 3. 1.43–2.00;
2.11–2.27;
3.08–3.25; 3.35–3.52;
4.33–4.51; 5.00–5.17.
|
205
|
11
|
|
|
206
|
12
|
|
|
208
|
Chapter 4: Dissonance and dissidents: the ♭2 within heavy metal music
|
13
|
4.2
|
|
214
|
14
|
4.3
|
|
214
|
15
|
4.4
|
|
216
|
16
|
4.5
|
|
216
|
17
|
4.7
|
|
217
|
18
|
4.8
|
|
218
|
19
|
4.9
|
|
220
|
20
|
4.10
|
|
220
|
21
|
4.11
|
|
221
|
22
|
4.12
|
Drowning Pool,
1.02–1.17. Bodies. Available to buy here.
|
222
|
DVD 1
|
|
Bodies military clip 0.16–end.
|
225
|
23
|
4.13
|
|
225
|
24
|
4.14
|
|
225
|
25
|
|
|
226
|
26
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4.15
|
|
227
|
27
|
|
|
227
|
28
|
4.16
|
|
228
|
29
|
4.17
|
|
228
|
30
|
4.18
|
|
229
|
31
|
|
|
231
|
32
|
4.19
|
|
232
|
33
|
4.20
|
|
234
|
Chapter 5: The
♭2 in film, TV and video soundtracks
|
DVD 2
|
5.1
|
|
242
|
34
|
5.2
|
|
242
|
DVD 3
|
5.3
|
|
243
|
35
|
5.4
|
Clinton
Shorter, District 9 end of title
underscore.
|
243
|
DVD 4
|
5.5
|
Lalo Schifrin, The Plot Music from Mission: Impossible. Available to buy here.
|
244
|
DVD 5
|
5.6
|
John Williams, theme Jaws: start–0.38; 1.15–1.25; 2.50–3.21. Available to buy here.
|
244
|
DVD 6
|
5.7
|
|
245
|
DVD7
|
5.8
|
Robert Rodriguez, theme Planet Terror
trailer. 1.34–end.
|
245
|
36
|
5.9
|
|
246
|
37
|
5.10
|
|
246
|
DVD 8
|
5.11
|
Robert Rodriguez, theme. Lawrence of Arabia.
|
247
|
DVD 9
|
5.12
|
|
248
|
38
|
5.13
|
|
248
|
39
|
5.14
|
Marco Beltrami and Buck Sanders, 'Hostile’, The Hurt Locker. Available to buy here.
|
249
|
40
|
5.15
|
Hans Zimmer, ‘Chant’ Black Hawk Down. 1.42–2.28.
|
250
|
41
|
5.16
|
|
252
|
DVD 10
|
|
|
241
|
DVD 11
|
5.17
|
U.S. Marine Reconnaissance Recruiting Video. 0.15–0.55
|
254
|
DVD 12
|
5.18
|
|
258
|
DVD 13
|
5.19
|
|
259
|
DVD 14
|
5.20
|
|
260
|
DVD 15
|
5.21
|
|
261
|
DVD 16
|
5.22
|
|
263
|
DVD 17
|
5.23
|
Shankar-Ehsaan-Loy, Rock On theme. Rock On. start–0.30. Available
to buy here
|
264
|
DVD 18
|
5.24
|
|
264
|
42
|
5.25
|
|
264
|
DVD 12
|
5.26
|
|
266
|
DVD 19
|
5.27
|
|
267
|
DVD
20
|
5.28
|
|
268
|
DVD
21
|
5.29
|
|
269
|
43
|
5.30
|
|
270
|
DVD
22
|
5.31
|
Sajid-Wajid, Dabangg trailer.
0.04–0.37,
0.57–2.32. Available to buy from amazon here.
|
270
|